Julio Martinez, Variety (2009, Divorce! The Musical)

  • "As the doomed Hollywood couple, vocally gifted Taylor and former "Partridge Family" regular Segall exude such palpable emotional rapport and sexual chemistry that their subsequent vulnerability to the forces of legal disentanglement is rendered even more poignant."

Daily Journal, FORUM (FORUM & FOCUS) • Mar. 06, 2009, By Alan H. Friedenthal (2009, Divorce The Musical)

  • "Lowe Taylor, a sweet beauty, and Rick Segall, have a perfect chemistry as they spend one number getting married ("Til Death Do Us Part") and 18 numbers getting divorced."

Dany Margolies, Backstage West CRITICS PICK! (Divorce! The Musical, 2009)

  • "Taylor is a perky redhead with a pretty but comedically malleable face; she delivers songs with all due earnestness yet charming humor, and she too is a skilled mover."

Beach Vickers (2009, Divorce! The Musical)

  • "Leading a charming, polished, multi-talented cast of five -- who end up playing a baker's dozen of spoofed, but you-know-'em "L.A. types," Lowe -- like the musical -- surfs the crest of that wave between just enough laugh-out-loud comedy (after all, 50% of marriages end in divorce) and just enough heart-tugging reality check (after all, 50%!!!). The way she expresses a lyric, as if she found the words at that very moment, is easily worth the price of admission. Add in a pinch of early Carol Burnett and young Streisand, too."

F. Kathleen Foley, LA TIMES (2009 Divorce! The Musical)

  • "RAVE - Taylor and Segall are simply terrific, brimming with a raw emotionalism that is heart-rending."

Tolucan Times (2009 Divorce! The Musical)

  • "Lowe Taylor and Rick Segall win our hearts from the start, with magically relatable performances and mega singing abilities."

Steven Stanley, StageSceneLA.com (Divorce! The Musical 2009)

  • "As Penny, Lowe Taylor finally gets the chance to create a lead role in a brand new musical and she is, as ever, a stunner and a dazzler. A redheaded beauty with comic gifts reminiscent of another redhead named Lucy, Taylor sings exquisitely, acts with real feeling, and dances a great tango. That is to say, she is the very definition of a triple-threat."

Kate West, KateWestReviews.com (Divorce! The Musical 2009)

  • "Lowe Taylor balances perplexity, horror, despair and longing seamlessly.  She and her costar Rick Segall work quite well together jumping from all the different ranges of emotion, playing off each other exactly the way ex-lovers would. The singing is plentiful and good, especially noted in Taylor's passionate voice."

Joel Beers, OCWeekly (Best of 2007 Theatre)

  • "Don't forget the casts of musicals such as Sunday in the Park With George (Chance Theatre)... Some supporting performances were so spot-on they nearly stole their respective shows: Lowe Taylor's ravishingly talented Dot in Sunday in the Park With George." 

Steven Stanley, StageSceneLA.com (The Marvelous Wonderettes 2008)

  • " Star on the rise Lowe Taylor, who has won raves for her work at the Chance Theater in Into The Woods and Sunday In The Park With George is an absolute delight at gum-chewing Suzy.  (Taylor is the only actress ever to have played all four roles!)"

Laura Hitchcock, CurtainUp.com (The Marvelous Wonderettes 2007)

  • " The voices are far better than any girl group ever had and all the actresses are talented. [As Suzy,] Taylor has an endearing gawky exuberance. "

Eric Marchese , OC Register(Sunday In The Park With George 2007)

  • " As Dot, Seurat's lady love and number-one model, Lowe Taylor is honest and vibrant, but also a natural comic with a deadpan delivery. Taylor gets at her role's poignancy and flirty humor, and together, she and Simpson exhibit the chemistry of opposites – cerebral man versus sensual woman. "

Steven Stanley, StageSceneLA.com (Sunday In The Park With George 2007)

  • " Taylor is every bit [Simpsons] match, with a rich and lustrous voice and a unique beauty.  Her Dot is charming and funny (Taylor's a fine comedienne), both uneducated and savvy at the same time.  As grandmother Marie in Act 2, she is deeply touching. After her recent star turn as Suzy in The Marvelous Wonderettes, Taylor is on a roll."

Eric Marchese, Backstage West(Sunday In The Park With George 2007)

  • " Lowe Taylor is passionate, vibrant, and honest as his lady love and No. 1 model, Dot, who leaves him for someone more emotionally available. The pair are well-matched in the 1984 scenes, as a frenzied George (Simpson) struggles to give birth to a new multimedia art form, the Chromalume, under the watchful eye of his grandmother Marie (Taylor), an elderly Southern belle who is the daughter of Dot and Georges."

James Scarborough, What The Butler Saw (Sunday In The Park With George 2007)

  • " The show offers an exceptional ensemble performance (connect the dots: they're great). Especially... Lowe Taylor's Dot the model - Dot as in pointilliste brush strokes - who let her emotions play out everywhere but the canvas."

Kate West , katewestreviews.com (The Marvelous Wonderettes 2007)

  • "The show itself showcases these four talented singers... [Taylor as Suzy] is a fine singer, belting and rocking out."

Rebecca Shoenkopf, OCWEEKLY (Into The Woods 2006)

  • "The Bakers Wife, played by Lowe Taylor, is especially funny, evoking a less-hapless Lucille Ball."

Shirle Gottlieb, Backstage West - CRITIC'S PICK (Into The Woods 2006)

  • "The actors give flawless performances: ...Bob Simpson and Lowe Taylor as the simple, goodhearted Baker and his responsible Wife, who long to have a child."

Eric Marchese, Orange County Register (Into the Woods 2006)

  • "[Lowe] Taylor shows the Baker's wife's soft side, glowing with excitement while also conveying her resolute strength."

Kate West www.bluntreview.com (Grease 2006)

  • "Highlights include... Lowe Taylor as Marty the vamp. The irrepressible cast totally wins us over."

Eric Marchese, OCRegister (Grease 2006)

  • "Lowe Taylor plays Marty, the only Pink Lady tough enough to stand up to Rizzo , as Rizzo's attractive, poised lieutenant, a softer version of her leader."

Melinda Schupmann, Backstage West (Grease 2006)

  • "Marty (Lowe Taylor) [is] accomplished. .. the dancing energetic, and the voices first-rate."

Kate West, bluntreview.com (The Pajama Game 2005)

  • “The real singer is Lowe Taylor, whose lovely lyrical voice demonstrates simple emotion…”

Kenneth Jones, Playbill Online (Lindbergh Baby Kidnapped 2000)

  • “With [Lowe Taylor’s] performance, she explores American mythology, her voice detailing the myths and legends we create. Priceless.”

J. Wynn Rousuck, Baltimore Sun (Lindbergh Baby Kidnapped 2000)

  • “Miss Taylor’s performance characterizations make you loath her hateful characters and adore her sweet innocents.”

Brian Dunugan, (Star Power 2005)

  • “Lowe is like a young Judy Garland! I couldn’t take me eyes off of her!”

Ellen Descala, Baltimore Sun (Little Shop of Horrors 1999)

  • “I am lucky enough to have met Miss Taylor a few times. When I saw her performing the role of Audrey, she was so dead on, I forgot it was really Lowe.”

Kate West, bluntreview.com (Joni & Gina’s Wedding 2005)

  • “Making it all worthwhile [is] Lowe Taylor as Joni – …very charming and interesting.”

Christian Calson, Director (Flirting With Anthony 2006)

  • “Lowe is a revelation. A spiritual experience in front of the camera. She’s tragically fragile and at other times so strong…”